When used correctly compression is a key ingredient for vocals that sound professional modern and radio ready.
Live sound vocal compression.
We would recommend this to a hobbyist singer songwriter musician.
But the truth is it s not that easy.
For a vocal starting point set your threshold to 0db or 2db and a ratio of either 1 5 1 or 2 1.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
Live sound is largely correcting problems with subtractive eq.
There are no magic settings that work 100 of the time.
It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion.
You can use compression on vocals to just even out the performance and to create an effect.
When used incorrectly compression can quickly ruin a good vocal recording and make your music sound amateur and over processed.
Compression should be used sparingly.
The processor is ideal for use in practices and live performances.
If the vocal s volume drops down then adjust the makeup gain input.
The lead vocals should be the center of your attention.
Heck it d certainly save me a few keystrokes.
By bypassing and applying the compressor get the input gain same as without the compressor.
And i don t want to mislead you.
This tc helicon t1 vocal compression unit is perfect for any singer looking for a singular functioning effects pedal.
Compression your best friend and your worst enemy.
Many bloggers will tell you what the perfect vocal compression settings are.
You can set the attack release to auto or go to 12 o clock on either one.
This is a fine way to start with a comp on vocals and will let you actually hear much of whats happening as you dial it in and hear the way the compressor works with the voice.
Lead vocals some recording engineers think compression is a must for vocals.
There is no one size fits all formula to vocal compression.
